Paula Marina: Iemanjá

Photo © Paula Marina-All Rights Reserved
Born in Recife, Brazil, Paula Marina is a journalist and photographer who currently lives and works in in Sao Paulo. She started photography at the tender age of 18 years old, attending various courses at SENAC, and working with prints and enlargements in a makeshift darkroom in her bathroom.

Her website showcases a broad panoply of photographic interests, ranging from fine art to more travel oriented photography, however what caught my attention was her photo essay on Iemanjá.

Iemanjá is the Goddess of the Water in the Brazilian Candomblé and Umbanda religions, and December 31 is when, in addition to celebrating New Year’s Eve, large crowds of its adherents are celebrating the Festa de Iemanjá near Rio's beaches. The goddess is offered flowers, gifts, perfume and rice which are cast into the water.

Like Santeria, it is basically a possession religion in which adherents assume the form of deities, both for worship and magic.

Thiago Bahia: Amazonia

Move over Ian Wright (Lonely Planet/Globe Trekker) and Michael Palin...you have a talented competitor who'll run circles around you.

Thiago Bahia is one of the hosts of Amazonia; a travel documentary soon to be aired on PBS that features the natural beauty of Belém, a city on the banks of the Amazon estuary, in the northern part of Brazil and capital of the state of Pará. Wach the 10 minutes documentary to appreciate Thiago's innate abilities to relate to the natural wonder of his birthplace.

Although his employment in a major financial institution is here in New York City, Thiago's heart (and possibly his mind as well) belong in Belém, and he is most comfortable as far away from concrete jungles as possible. Counting this talented young man as a personal friend, I have no doubt that he'll astound us even more.

Boa Sorte Thiago!

Fernanda Preto: Cowboys of Pantanal

Fernanda Preto is a Brazilian photojournalist currently based in Sao Paulo, and after living in the Amazon area for three years, has worked in environment and social reportages. She obtained degrees from the Panamerican School of Arts in Sao Paulo and from the Tuiuti University of Parana.

Her short film is about the Cowboys of Pantanal, which she produced using a Canon 5D Mark II. Pantanal is the largest tropical wetland in the world. Its largest area is in the state of Matto Grosso do Sul, with the rest being in Bolivia and Paraguay. It's considered as one of the last 37 natural wilderness areas in the world. The cowboys working in the area have survived for more than 100 years, doing the same task as the fathers and forefathers did, drive cattle to the highlands before the floods.

You can also see Fernanda's very well composed still images of the Pantanal Cowboys on her website by hovering your cursor over Features.

Jan Sochor: Nukak-Maku

Photo © Jan Sochor-All Rights Reserved
Jan Sochor has documented the Nukak Maku people, a nomadic indian tribe from the Amazon, who were driven out of the jungle by the Colombian guerrilla and paramilitary squads. More than half of the Nukak population have died of western diseases like flu. In refugee camps, the Nukak are taught from (mainly Christian) aid workers concepts and habits that were never part of their tradition.

Jan is a freelance photographer, working between South America and Europe. He lived and worked in Chile, Colombia, Costa Rica, Spain and the Czech Republic during the past five years. His photographs and stories have appeared in numerous magazines, newspapers and websites, including Sunday Times, National Geographic, Reuters, Burn magazine, Foto8, 100Eyes, UNESCO, Boston Review, PDN online,and others.

I've always considered proselytizing by any religious group to be an abhorrent practice...hand in hand with racism and bigotry.

Found via The Click

Peter Turnley Does Rio's Carnaval

Photo © Peter Turnley -All Rights Reserved

..."I became aware of the value of turning my attention away from the main event. So often, the temptation is to look where everyone else is looking. But, time after time, I have chosen to observe what’s going on by looking in the other direction—before, or after, or at the edges of the main attraction." - Peter Turnley

And that he did. Turnley's just featured On the Fringe of the Rio Carnaval photo essay on The Online Photographer is unusual because it doesn't concentrate on the scantily-clad gorgeous women of the Rio's Carnaval as many other photojournalists do, but it rather takes us away from the glitz of the main event to the less glamorous side show...to the fringe as he calls it.

The photographs represent moments that occurred away from the main event. It is this amazing spirit which, in Turnley's mind, exemplifies the Carnaval, and inspires him to return to Brazil year after year.

The complete photo essay is on The Online Photographer.

NPR: Traveling Down The Amazon

Here's Traveling Down The Amazon, an intelligently produced NPR multimedia feature that combines audio, stills and graphics to tell the story of transcontinental highway being built in Peru and Brazil which promises to bring economic opportunities, and also acute environmental problems, to one of the most remote places on earth.

NPR correspondent Lourdes Garcia-Navarro and staff photographer John Poole traveled the Peruvian route to produce this series.

I found this via a Twitter post (aka a "tweet") by Tracy Boyer, the editor of the excellent Innovative Interactivity blog, that deals with new multimedia and which she appropriately calls "a digital watering hole for multimedia enthusiasts".

Traveling Down The Amazon is not the kind of feature that one can watch in one sitting...it's too long and too dense to absorb in one go. So bookmark it for whenever you have the time to follow it properly.

I haven't had the time to watch except the first chapter The Road, and found it surprising that the producers of the piece haven't sync'ed the stills and the narration by Garcia-Navarro together. It hasn't bothered me much because I could return or go forward to the still photograph I was interested in, and still keep the narration going on.

Damon Winter: The Kamayurá

Photo © Damon Winter/NYTimes-All Rights Reserved
Damon Winter and The New York Times bring us An Ancient Society, a multimedia essay (narrated by Elisabeth Rosenthal) on the Kamayurá, an Amazonian tribe living in the middle of Xingu National Park in Brazil. This area was a huge swathe of land originally in the depths of the Amazon, but which is is now surrounded by farms and ranches.

The article reports that around 5,000 square miles of Amazon forest are being cut down annually in recent years, affecting the environment and depriving the Kamayurá of their way of life.

Nicely photographed by Damon, the audio slideshow's narration is somewhat stilted, and, for my taste, there isn't enough ambient sound to add what I call "aural texture" to the essay...but it's interesting nevertheless.

Andrew Sullivan; Samba da Bahia

Photo © Andrew Sullivan/Courtesy Burn Magazine
Sometimes I stumble on a photograph that just stops me in my tracks. I can't really explain the reason, but all I know is that it has that effect on me...and Andrew Sullivan's sublime photograph made me stop. The caption reads that a delivery man called the waitress on the right "belleza pura", and he's right, but it's not only her that makes the photograph. All of its elements work...the positioning of the people, the shadows, the look, the colors...it all works just so perfectly.

Andrew Sullivan's photo essay Samba da Bahia is on the wonderful Burn magazine, which is amongst of the best photo websites I've seen in a while. Burn is curated by the legendary David Alan Harvey, one of the heroes of photography for his superlative work, and for his unstinting generosity in mentoring emerging photographers.

Andrew describes himself as a reformed newspaper photographer, but it's best to read his biography in his own words, as well as about his essay on the Samba da Bahia link above.

As a multimedia and samba aficionado, I must confess I literally ached to hear the sound that could have accompanied this photo essay. If only...but I can always look at them and play Jobim at the same time.

Conrad Louis Charles: Brazil

Photograph © Conrad Louis-Charles-All Rights Reserved
I met Conrad Louis-Charles at the Foundry Photojournalism Workshop in Mexico City, he briefly described his background, but it wasn't until I returned that I discovered his work, and that the adage that still waters run deep is certainly true in his case.

Conrad is an independent photographer and cameraman currently based in Philadelphia and Sao Paulo in Brazil. He worked with various corporate clients, and he specializes in travel, documentary and editorial photography...making him a perfect candidate for the pages of TTP. He's represented by Getty Images.

His website showcases work from mainly Haiti, Dominican Republic, and Brazil. However, I was impressed by his Work-In-Progress gallery, which has a large number of his sensitive photograph of religious rituals and pilgrimages in northern Brazil. I'm not too fond of mixing color and black & white photographs, but Conrad kept the color photographs bunched together on his gallery, so it's not really mixing.

Explore his other galleries as well, and compare his Haiti work to that of the earlier post.

NY Times: Salvador da Bahia

Image © Lalo de Almeida for NY Times-All Rights Reserved
The New York Times recently featured the work of photographer Lalo de Almeida in a slideshow accompanying a travel article on Salvador da Bahia, the legendary Brazilian city described by the writer Jorge Amado as “the most mysterious and beautiful of the world’s cities” and “the most languid of women.”

The informative article by Larry Rohter tells us that Salvador da Bahia is reputed to have 365 churches, one for every day of the year, however it is also home for Candomblé, the African-derived religion and Brazil’s equivalent to voodoo. The Candomblé worship ceremonies are held in open-air sanctuaries known as terreiros in the poor neighborhoods of the city. I expect these would be fascinating venues for photography!

I very much like the lovely photograph by de Almeida of this equally lovely (and languid?) Bahian woman...it's exactly how I would've photographed her, against the backdrop of a cobblestoned street and looking away from the center of the photograph...giving the impression to the viewer that there's something else in the scene beyond the reach of the lens.

The NY Times' Jorge Amado's Salvador

NY Times: Samba In Brazil

Image © Lalo de Almeida/NY Times-All Rights Reserved
The New York Times brings us a slideshow of photographs by Lalo de Almeida of the preparations that go into the forthcoming carnival in Rio de Janeiro. It's a shame that there's no accompanying audio...really a shame.

The article is by Alexie Barrionuevo, and this sentence in it caught my eye: “They say Brazilians all have some samba in their feet,” Ms. Guimarães, a 23-year-old native of Minas Gerais, said. “I didn’t have much in mine. I know it has to improve, and I’m practicing hard.”. The speaker? Miss Brazil 2007 in the above photograph.

I guess I don't need to add anything to this post.

NY Times' Training for Carnival slideshow.

One Shot: Tatiana Cardeal

Image Copyright ©Tatiana Cardeal -All Rights Reserved
Tatiana Cardeal is a Brazilian independent photographer based in Sao Paulo, who spent her early career as an art director and graphic designer for international magazines. She decided to shift her focus to photography and document social, cultural and human right issues in 2003.

Her particular interest in South American indigenous people started at an early age, when she studied indigenous traditions and cultures. She calls her photography "social photography" because of the consequences and possible social changes that evolve from it. Her photographs can be interpreted as a denunciation, a call for action or a petition to help indigenous people by respecting them, respecting their land, their economy, their needs and their culture.

Tatiana says that her projects are long term in nature...some take at least 4 years to complete...but despite the difficulties, the lack of funding and the skepticism and frequent bureaucratic obstacles, she perseveres in documenting the various South American indigenous people. With the quality of her photography and her tenacity, I hope she is successful in her noble objectives.

Tatiana Cardeal's Blog

Sebastião Salgado: Amazon Tribes

Image Copyright © Sebastião Salgado -All Rights Reserved
As a boy growing up on a ranch in Brazil, Sebastião Salgado witnessed firsthand the destruction of the native forest. As thousands of acres were cleared for herds of cattle that demanded more and more pasture for grazing, the landscape was inexorably transformed into a dust-filled plain. Because of this experience, Salgado decided to make the remote tribes of South America an essential element of "Genesis," his eight-year collaboration with Rolling Stone to document the planet as it looked at the dawn of time.

The first half of the Genesis project is on the Yanomami Indians, who are believed to be among the first inhabitants of South America. For the Yanomami, the forest is not just 'nature' but an all-important living entity that controls the destiny of the tribe.

Here's via Rolling Stone magazine, Sebastião Salgado's The Hidden Tribes of the Amazon